I’m back with another entry. Truth be told, everything I’m
about to say deserves a lot more ‘oomph’ than what I’m about to give it—but,
I’ve spent most of the last two weeks (including most of yesterday and today)
writing about discursive representations of the intersection between gayness
and AIDS as part of two separate final projects.
In other words: my brain is so
far beyond mush that words do not even exist to describe it.
Nonetheless, there’s a lot that I haven’t blogged about this
month, and I’m feeling a lot of pressure from ‘Future Brett’ to document it all in
one form or another while it’s relatively fresh in my mind. Thus, I offer the
explosion of information presented here.
Let’s get started, shall we…
On Sunday, 15 April, I accompanied EN to a theatre
performance she’s been interning with throughout the semester. The show is
called Soul Sister, and is the story of Tina Turner’s relationship with Ike,
as told by the former while backstage during her ‘Private Dancer’ tour.
Most
people already know the troubled tale of Ike and Tina Turner, so I won’t go into that here (though I will say
that the first act in particular was far more forgiving of Ike than I
expected). Instead, I want to focus on two particular aspects of the show: the
actress playing Tina, and the ending:
The role of Tina was given to Emi Wokoma (who, ironically, played
the sister of Tameka Empson’s ‘Kim’ on EastEnders). The
Guardian reviewed Wokoma’s turn as Turner thusly:
[Wokoma’s] impersonation
of Anna Mae Bullock, renamed Tina Turner when she started singing with Ike
Turner, is startling. She's got that strange, stiff-legged dance – the one that
looks like a man who's left the urinal too soon – and the flutters of the
hands. And she's got a voice that can strip paint or sing a lullaby within the
same bar. (Soul Sister Review)
I admit that I was a bit concerned with Wokoma at the start.
The opening number is ‘Private Dancer,’ one of my favorites. Wokoma’s rendition
wasn’t bad by any stretch of the imagination, but it also wasn’t great—I felt
as if she wasn’t warmed up yet. Fortunately, after that number, the songs performed
are basically in chronological order, and follow Anna Mae’s rise to prominence.
This gave Wokoma the chance to warm-up her Turner impression, as her character
also developed her unique style. By the time ‘River Deep, Mountain High’ was
performed, audiences could be easily excused for forgetting that the real Tina
wasn’t on stage.
[NB: This is not my photo.] |
This brings us to the other point I wanted to bring up about
the show: the ending. As previously noted, the story is told from the
point-of-view of Turner, who is relating events to a friend backstage between
sets. Upon concluding her tale, Turner returns to her (fictionalized)
concert—whereupon the theatre audience becomes a concert audience!
The last 15-20 minutes of the show is just like a
traditional concert. There is no narrative: just Wokoma—accompanied by a band,
backup singers, and flashing laser-lights—recreating Turner’s early-80s
comeback tour. Traditional Tina favorites—such as ‘Simply the Best’, ‘I Can't Stand the Rain’, ‘Help’,
and, of course, ‘Proud Mary’—drove audiences to their feet. No lie. There were
even encore songs, in true concert style: ‘Steamy Windows’ and ‘What’s Love Got to Do With It?’
‘Awesome’ doesn’t even begin to describe the experience. All
I can say is that if you’re in London, and are even remotely a Tina Turner fan,
you must see this show!
After Soul Sister, EN and I were ridin’ high, as concert
goers typically are right after a show lets out. So, we headed over to Soho and
a bar there called 79CXR. This particular bar was
billed in one of the local rags as offering gay karaoke, and we thought it
might be fun to check that out.
I’d say we had a decent time: drinks were cheap
even if the singing was painful. Also, it wasn’t crowded—almost always a perk.
When the karaoke wrapped-up at around 9:00 PM, Bette Rinse (the drag queen
emcee) organized a group of fellow queens and locals for a queer version of
‘Match Game.’ Sadly, it was all a bit lost on EN and I, as neither of us were
familiar enough with the local drag scene to get the references to specific
community members. Ah, well. It was still interesting.
Okay, I’m going to totally
change topics now. (Like I said, there’s a lot to catch-up on!)
On Thursday, 19 April, two of my friends from Chicago—TS and
his partner, BH—flew in to London for the latter’s birthday weekend. I was
fortunate enough to see them on three of the four days they were here.
That first day (Thursday) was a bit rough for me. I didn’t
sleep well the night before, and had zero desire to go to school that morning.
Nonetheless, I made the long slog there…only to learn that one of my two
classes that day had been cancelled. Now, this isn’t a problem
in-and-of-itself. The class in question is my least favorite (‘Cultural Power
& Resistance in the 21st Century’—not nearly as interesting as it sounds).
Nonetheless, the scheduled lecture for that day would likely have been
beneficial for my final essay. Ah, well. Then, as if that wasn’t bad enough, I
got caught in a downpour on my way home. I. Was. Drenched…and unhappy.
Unhappy and Soaking Wet. |
Fortunately, seeing two familiar faces was just the boon
that my spirits needed. We headed into Soho to grab a couple of cocktails at
Village, and from there we went to Maison Touareg for dinner. I was uber-excited for this, because I had wanted to check out
Maison Touareg since coming back from Morocco, and was merely waiting for the
right ‘excuse’ to do so. It was sooooo delicious!
Wonderful company was made even better by amazing food and wine. My only
complaint is that we were seated beneath the speakers, and the music grew a bit
loud when the belly-dancer (whose skills were mostly lost on us) came out.
Other than that, it was perfect!
Friday, 20 April, marked the last official day of classes at
UEL! My exams aren’t due until this week, but classes have concluded. As my
Friday class (‘Realism, Fantasy & Utopia’) was my favorite, this was a bit
of a bittersweet moment. I’ll talk more about all that in a later entry,
though. After class, I returned to my flat, where my housemates were already in
weekend-party-mode. Ugh, it was so loud! For the second day in a row, I found
myself highly agitated.
Fortunately, TS and BH invited me to join them once again!
This time we went to Cinnamon, an Indian restaurant near Oxford Circus. Once again, I had an amazing time! The
food was good (albeit a bit spicy): we shared a plate of ‘BALLS!’ (as
listed)—potato, beef, vegetable, and Bangla-Scotch egg—and for the main course
I ordered a plate of ‘Old Delhi-style tandoori fenugreek chicken’ (whatever all
that means).
Even better than the food, though, were the drinks. I stuck to
water (I had to be up early the next day), but I did have a sip of both TS’ and
BH’s drinks—if anyone’s interested, Cinnamon offers the best mojito in the history of forever. After
dinner we headed over to the Duke of Wellington (another gay pub) for a last round of drinks going our separate ways.
I’m going to skip saying anything about Saturday, 21 April,
as that will get its own entry owing to a trip to Windsor Castle. As for
Sunday, I had one last opportunity to see TS and BH before they headed back to
Chicago. We met for bagels and coffee at Beigel Bake in Shoreditch. Apparently, this is the oldest bagel place in London. It’s also one of the
cheapest places I’ve been in London—but so worth it! I got an éclair (how could
I resist?), and it was one of the most scrumptious sweets I’ve eaten since
being here! Yummy-yummy! From there, we walked over to Old Spitalfields’ Market, where we walked around
for a few minutes before bidding on another adieu!
All in all, it was a wonderful visit, and so nice to see friends from home!
And, on that happy note, I will also say farewell to this
entry. I’ve finally gotten ‘Future Brett’ off my back for a bit, and can realx…for
now—there’s still a lot to tell about, including my trip to Windsor, the
results of my midterms, and my hurried escape from my flat!
But that’ll have to wait a bit longer…
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